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Marbleland/ ITALY { 80 images } Created 17 Apr 2019

Marble is the only raw material that Italy exports in the world, everything starts from the Apuan Alps that dominate Carrara and that, thanks to the extraction basins just above the city, have always made it a unique panorama. The marble activity is however also widespread in other neighboring areas to the south and east of this city universally known for its product. Marble is rich and generates business and work, attracts artists and generates creativity in an open circuit. In recent years, however, the contradictions have begun, Carrara is became poor and unkempt, the extraction technology has evolved so much that many speak of environmental catastrophe due to the exploitation of the mountains, a lot of transformation work is done overseas, but a series of good energies play still in favor of these areas in the extreme north of Tuscany.
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  • Top of  Apuane the Monte Sagro, revered by the ancient local people, dominates the large marble basins that for more than two thousand years have been active almost up to its summit.
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  • In the marble basin of Vagli, in the interior area of ​​the land of marble. The  work is now highly technical and mandatory is clothing with high visibility
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  • Overview of the Fantiscritti basin from Campocecina
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  • In the marble basin of Gorfigliano
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  • The mining concessions have physical limits imposed by law, and look out over the rest of the mountains, intact
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  • In the marble basin of Gorfigliano
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  • In the Michelangelo quarry owned by Barattini marbles, even the processing waste has become a business, a truck that transports small boulders could be directed to a mill that pulverizes them to use calcium carbonate powder for various industrial uses.
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  • No one willingly goes to work in the quarry, the quarry workers of Garfagnana mutter, on the other hand it is a hard and dangerous job that continues to claim victims, but it is also a good source of income in a tendentially poor area of ​​Tuscany. The other contradiction, which emerged overwhelmingly in recent decades is that of the destruction of the territory, extractive technology seems to be stronger than nature itself
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  • In the Michelangelo quarry, of the Barattini company
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  • Dell'Amico quarry in the Fantiscritti basin is one of many inside the mountain
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  • The "tecchiaiolo" craft is substantial for the quarry, using state-of-the-art mountaineering equipment Riccardo Salsi is preparing to lower himself onto a quarry wall to free it from small but extremely dangerous pieces that could have remained between one cut and another. The modern "tecchiaiolo", however, is also a "practical geologist", able to analyze the state of the rock, bring about internal break-ups etc ...
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  • In Garfagnana, the high valley of the Serchio river that laps the inner side of the Apuan Alps, the work of marble is scarce 120 years, therefore the marble basins are not the main part in the panorama, but equally generate work for many families.
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  • Torano,  village close to Carrara but also oo close to de marble basin
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  • Panorama of Carrara with the quarries
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  • The marble basins overlooking Carrara are also a place to spend free time, including pedaling.
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  • The scenography of the quarries for a fashion show, the day pajamas are a creation of the designer Ludovico Torri, son of doctors but of a mother belonging from a local historical family linked to the quarries and the marble trade, he lives in Los Angeles where he was graduated from the Film Academy
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  • Nicoletta with an acquaintance in front of her marble souvenir shop along the road to Colonnata
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  • Doing tourism in the midst of quarries is another resource for the area
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  • Tourists in dell’Amico indoor quarry.The Dell'Amico, with Francesca in mind, invested in visiting their indoor quarry, Michelangelo Buonarroti is the undisputed protagonist of the art of marble, so they hired the well-known graphitist Ozmo for a themed mural.
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  • Alessandra Biancardi, tourist and environmental guide specializing in her area of ​​origin, collaborates with the Museo Fantiscritti quarry on a visit called "La Marmifera and the history of the miners", a historical journey seen by the worker in the world of quarries.
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  • Lizzatura was the old way of transporting marble downstream, with soapy planks and ropes to act as a counterweight, terminated with the arrival of trucks and bulldozers and now it is urban furniture.
    75R00_120_024.jpg
  • The lizzatura was the old way of transporting the marble downstream, with soapy planks and ropes to act as a counterweight, ended with the arrival of the trucks and bulldozers is now a re-enactment made by people grown with marble but for reasons of age never statuses. It takes place in the middle of August in the Fantiscritti basin, in front of hundreds of tourists.
    75R00_120_025.jpg
  • The lizzatura was the old way of transporting the marble downstream, with soapy planks and ropes to act as a counterweight, ended with the arrival of the trucks and bulldozers is now a re-enactment made by people grown with marble but for reasons of age never statuses. It takes place in the middle of August in the Fantiscritti basin, in front of hundreds of tourists.
    75R00_120_026.jpg
  • Levigliani, one of the many villages in the mountains of marble
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  • The marble is an hard and dangerous job, Andrea Quartieri, born in 1931, is part of that generation that went to the quarry on foot, starting from far away, he who was in Vinca says he struggled more than travel than work. He was an expert squadron, from the shapeless marble block he had just extracted he obtained by hand a first parallelepiped rough. In 1981 he was the victim of an explosion, for which he was invalidated, with his semiamputed hand he retired to his small village of Lunigiana, but the work remained inside him, he shows his meter of redecorator with great pride
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  • The work of marble is hard and dangerous, since 1947 there is a "madonnina" of the quarryman who is celebrated in the park called "Segheria" in Gorfigliano, one of the two marble basins of the Garfagnana.<br />
Under the crowns of the chestnut trees there is also a stele showing the many names of those who fell in those quarries. The population has a strong veneration for this little virgin of white marble that is stationed throughout the year at the quarry of the Bacolaio, in the Acqua Bianca basin,
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  • A typical component of Carrara is the  'anarchism, now a minority and very little active in the city' but May 1 draws a multitude of people from around the country
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  • Downtown Carrara. A typical component of Carrara is the  anarchism
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  • Massa 04/01/2020. Public demonstration against the exploitation of the Apuan Alps by marble companies. Technology in the stone sector has evolved so much over the past twenty years that excavation has become more easy and quick. In parallel, as throughout the world, an environmental awareness has developed and spread. In the marble area a vast movement of civil society has been created in defense of the environmental protection of the Apuan Alps, asking for the closure of the quarries, as stated by the sign that a girl from the "fridays for future" shows
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  • During a demonstration in Massa.04/01/2020
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  • During a demonstration in Massa (04/0172020). The leader of Apuane Libera, Gianluca Briccolani, shakes a bag of white powder, supposedly marble dust, demonstrating how the marble mountains will become after all the excavation.
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  • During a demonstration at the Sella pass (04/07/2021). The leader of Apuane Libera, Gianluca Briccolani, chased by counter-demonstrating quarrymen.
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  • During a demonstration by the group: "Apuane Libera", the most radical, the demonstrators enter a quarry in the Campocecina area for a peaceful demonstration based on drawings on marble.
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  • During a demonstration by the group: "Apuane Libera", the most radical.
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  • During a demonstration by the group: "Apuane Libera", the most radical, the demonstrators enter a quarry in the Campocecina area for a peaceful demonstration based on drawings on marble.
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  • Alberica Sq. Heart of the Carrara's historioc center
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  • Carrara still has a very strong bond with the resistance to abuses in general, in Piazza delle Erbe, in the historic center, the large mural (work of the Orticanoodles) depicts Francesca Rolla, who died recently and one of the last witnesses of the passive resistance to the Nazis on 07 / 07/1944. The women of Carrara opposed the evacuation of the city for four days, in that way they favored the fall of the Gothic Line
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  • Downtown Carrara
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  • Downtown Carrara
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  • La bellezza salvera’ il mondo means beauty will save the worl written along the part of the historic center overlooking the Marmettola stream, it cannot be read except as a sign of hope for the future
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  • Three of the founding members of the sculptor cooperative
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  • At work in the Sculptor Cooperative
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  • Silvia Scaringella working with the flexible in her workshop called SupaLab
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  • At work in the sawmill Costa
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  • Francesco Galeotti in his workshop in Piestrasanta
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  • The Galeotti brothers in their workshop in Piestrasanta
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  • Orphaned by his father who died in the quarry, Stefano Coiai simulates the work of laser inherent in robotization, thanks to the business incubator Garfagnana Innovation he co-directed led the short chain of marble processing in an area where until the early 2000s was done only extraction
    75R00_120_043.jpg
  • One of the many marble sawmills that are part of the landscape of the Apuan coast and of the Versilia
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  • Robotization is not art, at least it is not at all, but it greatly facilitates craftsmanship, as here in the historic Costa workshop
    75R00_120_044.jpg
  • In the marble sawmill in Garfagnanha, inside the marble basin, working marble on site is a conquest for the territory
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  • Franco Barattini, born in 1941, a mason's son, began as a "bagascio", a boy-handyman perpetually abused by the miners, now he owns the quarries from which he extracts one of the finest marbles. "Work is the main value" he says, without it there is nothing, not even the family.
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  • Marble, the white gold of the northern part of Tuscany
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  • The hand of the sculptor Robert Gove between one of his works and an old wheel that refers to the symbol of the city of Carrara
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  • Robert Gove with his sculptures
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  • Robert Gove has always been looking for evidence of life on the stones at the bottom of the Marmettola river
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  • Stefanie and Dominik at work in their F.A.C laboratory in the city center
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  • Veronica Fonzo, Argentine co-founder sculptor, together with compatriot Flavia Robalo, from La Polveriera, the only marble laboratory left active near the historic center of Pietrssanta
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  • Mirko Marchesani inventor of  guitars with marble elements
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  • Wife of the Algerian sculptor Smail Zizi, Rina Orsini produces jewelry and accessories in marble which, however, has difficulty in selling, "A Carrara" says "there are so many good energies but also a lot of ignorance in power"
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  • Work by Boutros Rpmhein
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  • Boutros Romhein  Syrian sculptor stable in Carrara
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  • During the daily coffee break at the school for sculptors directed by Boutros Rohmein on his property.
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  • At the school for sculptors directed by Boutros Rohmein on his estate.
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  • The sculptor Fabrizio Lorenzani, a teacher from the Carrara high school, who trains professionals, but not marble artists, and has a few dozen students, a sign that the induced is not as stimulating as it used to be
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  • Sculpture students practicing in the spaces of Villa La Padula managed by the local and historic Academy of Fine Arts
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  • In the marble laboratory of the famous Carrara Academy of Fine Arts, at the Padula Park
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  • The CARMI museum, dedicated to Michelangelo Buonarroti and the history of marble linked to Carrara, is located in the Villa Fabbricotti de La Padula and conceived with avant-garde museological techniques.
    75R00_120_067.jpg
  • Inauguration of the exhibition by Stephanie Obetneder, a stable German sculptor in Carrara
    75R00_120_068.jpg
  • Inauguration of the exhibition by Stephanie Obetneder, a stable German sculptor in Carrara
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  • Inauguration of the exhibition by Jesse Jacobs   at Teke Gallery during the event "studi apert", a summer weekend when the majority of galleries and workshops opne their doors.
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  • Carolina and Martina during the Open Studies wk in front of their "Amrumdamè" atelier specialized in clothing with screen-printed local sayings
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  • Sculptors in the Piazza del Duomo during the Carrara White Marble event
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  • Marble on the beach of Marina di Carrara
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  • Sculpture called Le Vele on the seaside promenade of Marina di Massa
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  • Detail of the sculpture located in the exact point of beginning of the Gothic line
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  • In Pietrasanta the sculptures produced on site and destined for other places in the world have the obligation to stay on the square for some weeks, during the dance festival some members of an American ballet improvise a performance in relation to a sculpture
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  • Pietrasanta's cathedral at dusk
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  • One of the many galleries in Pietrasanta
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  • Actress and theater director, Soledad Nicolazzi (left) has created a very modern theater concept to talk about the contradictions that this land is experiencing related to marble, the name is Marmoland and it was not easy to stage it in the city of Carrara.
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